The first three paintings in my “Masters” series showcased Amen Corner — Golden Bell, White Dogwood and Azalea. This year? I decided to move back to one, Tea Olive, and tee up some Seurat stipples.
Read moreTag: The Masters
2022 — Painting, Vegas, NFT’s, Breaking 80
2022 began with a trip to Circa Resort & Casino to create this 30″X40″ painting of Vegas Vickie, on-location. In collaboration with Circa — we used this work as the cornerstone for a pioneering series of NFT’s, with suite (ha) utility. Word on The Street? This is big news.
Read moreThe Neon Cowboy Scottsdale, A Commissioned Painting
Introducing my latest commission — ‘The Neon Cowboy Scottsdale’, a 36″X36″, Acrylic on Belgian Linen work. Does the Neon Cowboy look familiar?
Read moreWhite Dogwood Live Painted at Circa’s Stadium Swim During The Masters
When the 2020 Masters Tournament was postponed until the fall… I decided to paint Golden Bell, and stream the process on Facebook. In 2021… I jumped to Azalea… again, streaming the process live.
With 2022 in the cross-hairs, I reached out to Mr. Jeff Victor at Circa to see if I could set-up shop at Stadium Swim to paint White Dogwood. When confirmed, we packed up the entire family, borrowed a dope whip (thank you Kurt and Debbie) — and set-off for Vegas.
Read moreTwenty Twenty Fun, A Year in Review
Twenty Twenty Fun... a look at Borbay's 2021, from Coronavirus to Mother Ginger.
Azalea, #13 at Augusta National, The Masters — A Painting
Will ‘The Masters’ body of work become the next ‘Guggenheim Series‘? It’s the perfect marriage of art, performance (live streams) and my love of the game (six triples in my 2021 debut for a sterling 98).
Time will tell… for now? Let’s dig into the process of behind bad boy.
Golden Bell, #12 at Augusta National, The Masters — a Painting
Golden Bell, aka hole #12, may be Augusta National’s shortest par three, but it has teeth. With three challenging green-side bunkers and Rae’s Creek, this 155 yard beauty has brought the world’s finest golfers to their knees.
When it was announced that The Masters would take place in November for the first time — I decided it was time to capture this legendary slice of Augusta. This is the result… let’s see how we got here.
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