“Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art.” — Andrew Warhola, aka, Andy Warhol.
This is my favorite Warhol quote. His mission to put a Warhol in every home, coupled with his desire for luxury proved a recipe for timeless success.
Having Marilyn at our dinner table for nearly 20 years — it was a must-add to my Re-Mastered series. And friend — Marilyn was begging for neon.
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Up next in my Re-Mastered series — ‘Neon Girl with a Pearl Earring’, modeled after Vermeer’s 1665 masterpiece. Following Neon Guernica, I was considering ‘Starry Night’ — but our November trip to Europe inspired a new direction.
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Continuing my Re-Mastered series… which began with “American Gothic” — then took flight with “Mona Lisa” — please allow me to introduce — “Neon Guernica”.
Picasso’s master work measures 11 by 29 feet — which is significantly larger than my two, 36″X40″ panel, neon iteration. Here is a closer look at the left side.
And now the right. Without further adieu, let’s dive into the history of Picasso’s Guernica, why I chose to paint a neon version — and the recent good news for art lovers visiting the The Reina Sofía Museum.
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To lead a professional sports league is rare. To lead two is unprecedented… that is, until Julius Erving, a.k.a. “Dr. J” — towered above, first, the ABA… then the NBA. The ABA was an amalgamation of historic risk-taking owners, managers, players, announcers, and colorful personalities. And so, this painting not only showcases an incredible athlete and human; it celebrates the entire American Basketball Association, which brought the world of basketball tri-colored balls and a dunking revolution.
My collector, friend and sometimes mentor, Robert Oringer and yours truly took our time to carefully curate this celebratory 48″X60″ collage painting.
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The first three paintings in my “Masters” series showcased Amen Corner — Golden Bell, White Dogwood and Azalea. This year? I decided to move back to one, Tea Olive, and tee up some Seurat stipples.
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Back in my NYC advertising days, I met a talented creative director by the name of David. We stayed in touch when I moved out West… and, in following my career, he was kind enough to introduce me to his good Jackson Hole-based friends — the Faupel’s.
Matt, Julie and yours truly struck-up a conversation… and decided to collaborate on a commission. We wanted something that embraced classic Americana, but with a contemporary touch. So, what better to create than a neon version of Grant Wood’s “American Gothic”?
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Guggenheim #14 in my 20-Year-Guggenheim painting series has arrived. This iteration was inspired by the incomparable Verner Panton. Specfically?
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Twenty Twenty Fun... a look at Borbay's 2021, from Coronavirus to Mother Ginger.
Inflation is upon us, and I’ve taken note. Last month, I shipped a painting — the timeline for delivery (and price) doubled! Nevertheless, around the holidays, I love to take care of my collectors… so, until November 15th — I’m offering free global shipping on existing work.
As for commissions? I am signing contracts through the end of the year, but will not be available to begin new works until February/March 2022.
Thank you for the love and support through, yet, another unusual year.
Year 13 of my 20-Year-Guggenheim Series called for something special… but I found myself rudderless. That is… until I spotted a brilliant photo on the Guggenheim Museum Twitter account… snapped by @NYCLOVESNYC — aka, Noel Y. Calingasan.
I’m sure you can see why I was so taken. As it happens, I reached out to Noel, and he graciously allowed me to use his photo as the source image for this painting.
And thanks to Noel, “Bright Lights, Big City Guggenheim” was born — named, with an obvious nod, to the brilliant Jay McInerney (a gent I spotted at Elaine’s a few times, back in the day).
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