In 2024, I walked through the doors of Boston Dynamics with one question in mind: what happens when a human artist paints one of the world’s most advanced humanoid robots?
My initial vision was clean and direct — a tightly rendered Atlas, perhaps infused with neon… precise technology translated through precise painting.
The painting had other plans.
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When I was commissioned by Matt and Allison to create a Jackson Hole-inspired painting, they wanted me to experience things for myself, so it was wheels up, next stop Wyoming.
MH the Verb‘s new album, “The Balloon Guide”, drops February 11, 2014 — I painted the cover. If you’d like to keep reading, I’ll share how this project came to be creatively; and I’ll include the business details.
I’m delighted to share my first completed painting of 2014: a commission of 55 West 11th Street in Manhattan. Ironically enough, I painted this in Minnesota.
In 2009, I decided to paint The Guggenheim for twenty years, each summer, from the same corner, on the same size canvas, with the sole variable being my style. This is Guggenheim 5… the latest of my recent futurist works, joining the Seattle Space Needle, Central Park South, Sutton Place, Welcome to Las Vegas Sign and The Bellagio.
Central Park Southeast… at Twilight… my third Futurist Revival canvas. Many of these buildings hold a special place in my heart… but I’ll get into that later.
Photographing someone watching someone else photograph Starry Night. Seven eyeballs, four lenses, one picture.
