“Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art.” — Andrew Warhola, aka, Andy Warhol.
This is my favorite Warhol quote. His mission to put a Warhol in every home, coupled with his desire for luxury proved a recipe for timeless success.
Having Marilyn at our dinner table for nearly 20 years — it was a must-add to my Re-Mastered series. And friend — Marilyn was begging for neon.
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Up next in my Re-Mastered series — ‘Neon Girl with a Pearl Earring’, modeled after Vermeer’s 1665 masterpiece. Following Neon Guernica, I was considering ‘Starry Night’ — but our November trip to Europe inspired a new direction.
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So often, the phone rings… and I wince. Unknown caller. Spam risk.
Not this time. The caller ID read “Trevor”. I was more than delighted to pick up for my friend, portrait subject and New York Islanders legend. Trevor was calling to introduce me to his close friend, Ray Carnes, Co-Founder of Recteq — purveyor of the best damn grills on the planet. We struck up a conversation… a chat that marked the beginning of this 30″X30″ collage-painting portrait.
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Artificial Intelligence. From the moment I heard Ray Kurzweil speak about A.I., futurism and singularity in NYC in 2013… I’ve paid close attention. And friends? I can tell you… the impact of Artificial Intelligence will alter humanity more significantly than the internet. Fittingly, when it was time to create the 15th Guggenheim in my 20-Year-Series… I chose to dive into Artificial Intelligence, and explore it’s significant impact on creativity and copyright.
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Continuing my Re-Mastered series… which began with “American Gothic” — then took flight with “Mona Lisa” — please allow me to introduce — “Neon Guernica”.
Picasso’s master work measures 11 by 29 feet — which is significantly larger than my two, 36″X40″ panel, neon iteration. Here is a closer look at the left side.
And now the right. Without further adieu, let’s dive into the history of Picasso’s Guernica, why I chose to paint a neon version — and the recent good news for art lovers visiting the The Reina Sofía Museum.
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To lead a professional sports league is rare. To lead two is unprecedented… that is, until Julius Erving, a.k.a. “Dr. J” — towered above, first, the ABA… then the NBA. The ABA was an amalgamation of historic risk-taking owners, managers, players, announcers, and colorful personalities. And so, this painting not only showcases an incredible athlete and human; it celebrates the entire American Basketball Association, which brought the world of basketball tri-colored balls and a dunking revolution.
My collector, friend and sometimes mentor, Robert Oringer and yours truly took our time to carefully curate this celebratory 48″X60″ collage painting.
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A recent commission of Grant Wood’s ‘American Gothic‘ inspired a new series… “Re-Mastered” — a fresh look at historic masterpieces. And so, I decided to bring a slice of the Louvre to Borbay Studios & Gallery… with ‘Neon Mona Lisa’.
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The first three paintings in my “Masters” series showcased Amen Corner — Golden Bell, White Dogwood and Azalea. This year? I decided to move back to one, Tea Olive, and tee up some Seurat stipples.
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On March 6, 2016 — I navigated a 48-foot-Uhaul along Scenic Route 33, pulling into Victor, Idaho — forever changing our lives in the best way possible. Over the years, our time out West has impacted everything — including my art.
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2022 began with a trip to Circa Resort & Casino to create this 30″X40″ painting of Vegas Vickie, on-location. In collaboration with Circa — we used this work as the cornerstone for a pioneering series of NFT’s, with suite (ha) utility. Word on The Street? This is big news.
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