For Year Seventeen in my 20-Year-Guggenheim series, I returned to 89th Street and 5th Avenue to paint on-location. Once again, the vibes, energy, conversations and weather dictated the canvas… my reason for creating on-site.
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Twenty-four years ago, I found myself wandering the Museum of Fine Arts Boston. There, I encountered many magnificent works from the usual suspects… Picasso, Stuart Davis, Pollock, El Greco — by all accounts, a nice little Saturday.
As I dove deeper into the collection, I stumbled upon “The White Hat” by Jean-Baptiste Greuze. This work stopped me dead in my tracks. The painting itself was magnificent. The brush strokes, the tonality, the chiaroscuro. Her gaze is both seductive and haunting. Painted around 1780, history maintains this figure was a figment of the artist’s imagination… an invented woman. I reject this notion. She struck me as real. Visceral.
Free-flowing, revealing outfits were en vogue in the late 1700’s… yes, and still — there is a staggering vulnerability on display. A salacious Mona Lisa of sorts. And so, 24 years later, White Hat found her way to my easel in first Minnesota, then Idaho, and became Re-Mastered.
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Continuing my Re-Mastered series… which began with “American Gothic” — then took flight with “Mona Lisa” — please allow me to introduce — “Neon Guernica”.
Picasso’s master work measures 11 by 29 feet — which is significantly larger than my two, 36″X40″ panel, neon iteration. Here is a closer look at the left side.
And now the right. Without further adieu, let’s dive into the history of Picasso’s Guernica, why I chose to paint a neon version — and the recent good news for art lovers visiting the The Reina Sofía Museum.
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A recent commission of Grant Wood’s ‘American Gothic‘ inspired a new series… “Re-Mastered” — a fresh look at historic masterpieces. And so, I decided to bring a slice of the Louvre to Borbay Studios & Gallery… with ‘Neon Mona Lisa’.
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It’s Summer Time, which means Vitamin D, Antiheroes and Guggenheim #6. Here are the simmering updates… enjoy… thank you for being here.
The best painting break in the world — a trip to one of Manhattan’s incredible museums. Up yesterday? The Met. It was yours truly and Paul Zepeda, with Betty Crocker riding shotgun, taking in the (sometimes neon) sights.
I want you! to pass this blog around to all of your friends, and for chrissake, hit me up with more Tom Collins. Ah, a trip to the Metropolitan Museum of Art… where the lessons instinctively flock like the salmon of Capistrano.
Art and ambition are often one-in-the-same. Art and business savvy is, without question, the California Condor of the creative realm (I am watching The Tudors currently, the the world realm holds true.) Through the course of my daily Twitter discourse, I meet an array of talented, passionate people… cue Brandy Saturley. Her paintings rich with imagery, ranging from sexual to fantasy to pop, Brandy is an artist with a clarity of vision – a drive to create and promote.
New Paintings. Works-in-Progress. Insider Art Market Information.
Another newsletter? You got that right. I'll honor and respect your inbox, as if it were my own. I endeavor to share everything happening at Borbay Studios & Gallery. No daily updates. No weekly updates. Simply a message, every month or two... updates on life, creativity, and the journey that began on July 2, 2009. Let's be in touch, as the first leg of my quest reaches completion in 2026. From a studio in my 600-foot Upper East Side apartment living room, to a museum collection. Oh, but friend, that is just the beginning. The road is long, and I am looking for cool, sophisticated company to navigate each challenging turn.
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