Introducing the largest canvas painting of my career, “Turned Myself to Face Me” — a 52.5″X94.5″, Acrylic on Belgian Linen partial collage-painting portrait of David Bowie.
This work began on January 10, 2025, and was signed on November 2, 2025. Bowie tested everything I knew about painting, and became the catalyst for significant creative and professional growth.
Read more
For Year Seventeen in my 20-Year-Guggenheim series, I returned to 89th Street and 5th Avenue to paint on-location. Once again, the vibes, energy, conversations and weather dictated the canvas… my reason for creating on-site.
Read more
There are eighteen greens at Augusta National — I’m painting each one. Beginning in 2020 with “Golden Bell“, I’m delighted to share the sixth works in my “Masters Series” — “Flowering Peach”, hole #3 at The Masters.
I celebrated Rory’s magical victory, with a painting showcasing a labyrinth of thousands of individual hand-painted swirls, following two pointillism-focused works.
Read more
Jerry Seinfeld is a fan of “the”. Not wanting his writers to waste time coming up with titles… a simple equation was established = The + Situation.
In “The Letter”, Episode 21, Season 3; Jerry’s girlfriend paints a portrait of Kramer. The result? ‘The Kramer’. And so, my painting, based on a painting created on a show about nothing, is titled, ‘The, The Kramer’.
Read more
Twenty-four years ago, I found myself wandering the Museum of Fine Arts Boston. There, I encountered many magnificent works from the usual suspects… Picasso, Stuart Davis, Pollock, El Greco — by all accounts, a nice little Saturday.
As I dove deeper into the collection, I stumbled upon “The White Hat” by Jean-Baptiste Greuze. This work stopped me dead in my tracks. The painting itself was magnificent. The brush strokes, the tonality, the chiaroscuro. Her gaze is both seductive and haunting. Painted around 1780, history maintains this figure was a figment of the artist’s imagination… an invented woman. I reject this notion. She struck me as real. Visceral.
Free-flowing, revealing outfits were en vogue in the late 1700’s… yes, and still — there is a staggering vulnerability on display. A salacious Mona Lisa of sorts. And so, 24 years later, White Hat found her way to my easel in first Minnesota, then Idaho, and became Re-Mastered.
Read more
During my commute to and from Borbay Studios & Gallery, I often promise to — “get out there and capture Teton Valley’s beauty.”
With my eldest daughter Coraline home-schooling, I found that very moment. As for the location? A generous offer from my good friends Andy and Lisa Daniels presented itself. They allowed us to set-up and paint their breathtaking view of the Teton River.
And so, I set out to challenge myself to create a 40″X48″ painting from life, crafted with a palette knife and loads of Liquitex Heavy Body Acrylic Paint.
Read more
For the 16th work in my 20-Year-Guggenheim Series, I re-visited to the streets of New York to paint on 5th Avenue.
Read more
It began with Amen Corner… last year, I went back to one… this year, I painted the second green at Augusta National. Typically, I begin during the first tee shot, and sign when the final putt drops. This year, I had the great fortune of playing a Member Guest during The Masters… and so, I was forced to finish post-tournament.
Virgo mentality — forgive me!
Read more
“Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art.” — Andrew Warhola, aka, Andy Warhol.
This is my favorite Warhol quote. His mission to put a Warhol in every home, coupled with his desire for luxury proved a recipe for timeless success.
Having Marilyn at our dinner table for nearly 20 years — it was a must-add to my Re-Mastered series. And friend — Marilyn was begging for neon.
Read more
Up next in my Re-Mastered series — ‘Neon Girl with a Pearl Earring’, modeled after Vermeer’s 1665 masterpiece. Following Neon Guernica, I was considering ‘Starry Night’ — but our November trip to Europe inspired a new direction.
Read more
New Paintings. Works-in-Progress. Insider Art Market Information.
Another newsletter? You got that right. I'll honor and respect your inbox, as if it were my own. I endeavor to share everything happening at Borbay Studios & Gallery. No daily updates. No weekly updates. Simply a message, every month or two... updates on life, creativity, and the journey that began on July 2, 2009. Let's be in touch, as the first leg of my quest reaches completion in 2026. From a studio in my 600-foot Upper East Side apartment living room, to a museum collection. Oh, but friend, that is just the beginning. The road is long, and I am looking for cool, sophisticated company to navigate each challenging turn.
You're here, and I love you for it.
Join me. Let's do this together.