
For Year Seventeen in my 20-Year-Guggenheim series, I returned to 89th Street and 5th Avenue to paint on-location. Once again, the vibes, energy, conversations and weather dictated the canvas… my reason for creating on-site.
Read more
For Year Seventeen in my 20-Year-Guggenheim series, I returned to 89th Street and 5th Avenue to paint on-location. Once again, the vibes, energy, conversations and weather dictated the canvas… my reason for creating on-site.
Read more
Year 13 of my 20-Year-Guggenheim Series called for something special… but I found myself rudderless. That is… until I spotted a brilliant photo on the Guggenheim Museum Twitter account… snapped by @NYCLOVESNYC — aka, Noel Y. Calingasan.
I’m sure you can see why I was so taken. As it happens, I reached out to Noel, and he graciously allowed me to use his photo as the source image for this painting.
And thanks to Noel, “Bright Lights, Big City Guggenheim” was born — named, with an obvious nod, to the brilliant Jay McInerney (a gent I spotted at Elaine’s a few times, back in the day).
Read moreI’m excited to share a beautiful feature, penned by Jenn Rein, and published in the May/June 2021 issue of Artist’s Magazine.
You can click on any image for closer inspection — and, if you’d like to read the entire piece, you can view/download the pdf here.
Only 113 days remain in 2020. This 366 day lap around the sun is about ceding control. And so, while creating the 12th work in my 20-year Guggenheim Painting Series — I embraced our new reality, and went rogue. This was painted entirely with my left hand. First with a brush, then with a palette knife. There was no plan… like 2020? It simply happened.
Sometimes you eat the bear, and sometimes the bear, well, he eats you.
https://www.facebook.com/JasonBorbet/videos/10108198608120410
Being surrounded by the wondrous art created by my children, the importance of spontaneous creativity is palpable. Art, like life, is about routine, protocol, strategy… and sometimes, you must eschew the standard, and simply create.

Introducing the 10th Guggenheim in my 20-year-series… aptly titled, “Guggenheim 10”.
By all accounts — this painting was a journey. After kicking-off the under-painting of this piece in June, I noticed the canvas was warped, so I slashed it to bits, and started over. Following that, I found myself traveling around the world… Vegas, Paris, Antwerp, Amsterdam… then, I received a beautiful wave of commissions. As a result… this piece took much longer than anticipated.
https://www.facebook.com/borbay/videos/1742170359261720/?__xts__[0]=68.ARAwFRgK3x4DdX-anpFNVtFqJeEgkYpfylSvLhdFOb_S22wT27g5dNruy2atma005gyHL7ZZjqI8Jj1ZuyfF-BhwxIZ6UvAG6bmxZ0ZRfMDYjXG7lP7eh296iR4Plt5ja0Q_2vXEuTpEyw2JXFrEdaK68sQPaA50_v1pRAliahbGoyXwMu2ItFO4p2u5KdjkwD15U8sS1uvUAhP2U7PX7Bhw6WcIQBsI1OVZ2fbjlDo0Km8_TkXEHq1kJHeW9dScFlmMyH2UZRnwKHL8fmyP3JSoVg4UET_GDszp8RZdJPV3NDhiO6D9YpNK-zFpx63PYt7cbp1n4dXLg_h-CpcoMYKOZbGaatKmw-E&__tn__=-R

I’m excited to share my hand-painted-plate for this year’s 3rd Annual Plate Auction! I’m batting 1000% in participation for this amazing event, which will go down October 11th, at The Center For The Arts Jackson Hole. All proceeds from the evening will benefit Community Entry Services, Jackson Hole.
https://www.facebook.com/borbay/videos/1807699892646988/
Created live at Teton Springs, you can view the entire process in 50 seconds above… scroll down for a closer look at each stage of the piece.

If you would have told me, “man, you’ll be a married father-of-two, living in Idaho by your 36th year”… I’d have replied, “whatcha talkin’ bout”, and called you Willis.
Fittingly, 2016 began with my second self portrait — capturing this reality. Artist selfies take longer.

In the summer of 2009, I painted the Guggenheim on a 30″X30″ canvas and practically sold it on the street. In 2010, I longed to paint the Gugg once more… but it felt wrong. Opportunistic.
Unless? I wondered… if I made a more serious commitment. And with that, I decided to paint a 30″X30″ Guggenheim, each summer, for 20 years. Today, I’m proud to share Guggenheim #8 — “The Neon Guggenheim”. Fittingly, this painting will debut at The National Arts Club in November, for the Accessible Art Fair.
MH the Verb sent me “Good Morning”, and, well, I couldn’t cut a single beat… so this video is long, strong and down to put the acrylic on. From MH, “‘Good Morning‘ perfectly exemplifies the collaborative style ArtHouse95 is all about. I produced the track featuring live bass from engineer, Dave Humes and layered drums. It’s pure Hip Hop… digging crates for the perfect sample, chopping the jazzy groove, and linking with two of Philadelphia’s most lyrical emcees – Drusef and Mic Stew. We wrote the song during a cloudy studio session a couple years ago while reflecting on our daily grind and ambition as artists. The homie, Kuf Knotz even had to make a guest appearance at the end. Overall, when the beat drops after the intro, you can feel the energy build… I just can’t wait for people to hear what comes next.
Enjoy… and do read on for an unusual painting recap.

2015 was so huge, it took me until mid-January to post the year-in-review! The game changer? On February 5th, at 7:45AM, Vega arrived aquatically in our Manhattan living room… joining Erin, Coraline and me. One month later, she had a passport and was living in The Bahamas… we then left Manhattan, moved to Minnesota, then to Jackson Hole, and back to Minnesota…

Hello Dear Friend — Two weeks ago, we stuffed a 17-foot-truck, turned in the keys to our Manhattan apartment and hit the road. Our nomadic adventure has begun with a three-month stay in Minnetonka, Minnesota. On September 30th, we fly to Jackson Hole for another adventure — but here’s what’s happening right now…
New Paintings. Works-in-Progress. Insider Art Market Information.
Another newsletter? You got that right. I'll honor and respect your inbox, as if it were my own. I endeavor to share everything happening at Borbay Studios & Gallery. No daily updates. No weekly updates. Simply a message, every month or two... updates on life, creativity, and the journey that began on July 2, 2009. Let's be in touch, as the first leg of my quest reaches completion in 2026. From a studio in my 600-foot Upper East Side apartment living room, to a museum collection. Oh, but friend, that is just the beginning. The road is long, and I am looking for cool, sophisticated company to navigate each challenging turn.
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