
For Year Seventeen in my 20-Year-Guggenheim series, I returned to 89th Street and 5th Avenue to paint on-location. Once again, the vibes, energy, conversations and weather dictated the canvas… my reason for creating on-site.
Read more
For Year Seventeen in my 20-Year-Guggenheim series, I returned to 89th Street and 5th Avenue to paint on-location. Once again, the vibes, energy, conversations and weather dictated the canvas… my reason for creating on-site.
Read more
For the 16th work in my 20-Year-Guggenheim Series, I re-visited to the streets of New York to paint on 5th Avenue.
Read more
Guggenheim #14 in my 20-Year-Guggenheim painting series has arrived. This iteration was inspired by the incomparable Verner Panton. Specfically?
Read more
In the summer of 2009, I painted the Guggenheim on a 30″X30″ canvas and practically sold it on the street. In 2010, I longed to paint the Gugg once more… but it felt wrong. Opportunistic.
Unless? I wondered… if I made a more serious commitment. And with that, I decided to paint a 30″X30″ Guggenheim, each summer, for 20 years. Today, I’m proud to share Guggenheim #8 — “The Neon Guggenheim”. Fittingly, this painting will debut at The National Arts Club in November, for the Accessible Art Fair.
MH the Verb sent me “Good Morning”, and, well, I couldn’t cut a single beat… so this video is long, strong and down to put the acrylic on. From MH, “‘Good Morning‘ perfectly exemplifies the collaborative style ArtHouse95 is all about. I produced the track featuring live bass from engineer, Dave Humes and layered drums. It’s pure Hip Hop… digging crates for the perfect sample, chopping the jazzy groove, and linking with two of Philadelphia’s most lyrical emcees – Drusef and Mic Stew. We wrote the song during a cloudy studio session a couple years ago while reflecting on our daily grind and ambition as artists. The homie, Kuf Knotz even had to make a guest appearance at the end. Overall, when the beat drops after the intro, you can feel the energy build… I just can’t wait for people to hear what comes next.
Enjoy… and do read on for an unusual painting recap.

In 2009, I decided to paint The Guggenheim for twenty years, each summer, from the same corner, on the same size canvas, with the sole variable being my style. This is Guggenheim 5… the latest of my recent futurist works, joining the Seattle Space Needle, Central Park South, Sutton Place, Welcome to Las Vegas Sign and The Bellagio.

Back in 2009, my first professional painting was of The Guggenheim. This became an important landmark for my career, so I decided to try it again in 2010. Finally, I decided to make one each year for 20 years. This black-and-white canvas marks year #4 of 20.
The lure of The Guggenheim is simply too great. No, this isn’t Guggenheim #4… my 20 years of Guggenheim’s are painted in the same location on 89th and 5th Avenue, of the opposite view, on 30″X30″ canvases… This black and white painting was made to support Frank’s Doors — treat it like Chicago politics, vote early and often.

It began in 2009… my first Guggenheim painting. Then in 2010, I decided to do it again… same location and canvas size… after #2, I decided to paint The Guggenheim every June for 20 years. Beyond being one of my favorite places in the city, this will allow me to see my style progression in a consistent way. After the jump, process shots of The Guggenheim #3.
It took me two years of being a full-time artist to understand how a single painting could span multiple years. Sure, some large-scale works just take time. Others, like in the case of the Metropolitan Museum of Art — I simply looked at it for 18 months and simply determined it was finished. After the jump, the full process as written in 2009.
New Paintings. Works-in-Progress. Insider Art Market Information.
Another newsletter? You got that right. I'll honor and respect your inbox, as if it were my own. I endeavor to share everything happening at Borbay Studios & Gallery. No daily updates. No weekly updates. Simply a message, every month or two... updates on life, creativity, and the journey that began on July 2, 2009. Let's be in touch, as the first leg of my quest reaches completion in 2026. From a studio in my 600-foot Upper East Side apartment living room, to a museum collection. Oh, but friend, that is just the beginning. The road is long, and I am looking for cool, sophisticated company to navigate each challenging turn.
You're here, and I love you for it.
Join me. Let's do this together.