
This is not a portrait concerned with likeness, tribute, or nostalgia.
It is concerned with interruption.
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This is not a portrait concerned with likeness, tribute, or nostalgia.
It is concerned with interruption.
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“Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art.” — Andrew Warhola, aka, Andy Warhol.
This is my favorite Warhol quote. His mission to put a Warhol in every home, coupled with his desire for luxury proved a recipe for timeless success.
Having Marilyn at our dinner table for nearly 20 years — it was a must-add to my Re-Mastered series. And friend — Marilyn was begging for neon.
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Up next in my Re-Mastered series — ‘Neon Girl with a Pearl Earring’, modeled after Vermeer’s 1665 masterpiece. Following Neon Guernica, I was considering ‘Starry Night’ — but our November trip to Europe inspired a new direction.
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Continuing my Re-Mastered series… which began with “American Gothic” — then took flight with “Mona Lisa” — please allow me to introduce — “Neon Guernica”.

Picasso’s master work measures 11 by 29 feet — which is significantly larger than my two, 36″X40″ panel, neon iteration. Here is a closer look at the left side.

And now the right. Without further adieu, let’s dive into the history of Picasso’s Guernica, why I chose to paint a neon version — and the recent good news for art lovers visiting the The Reina Sofía Museum.
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To lead a professional sports league is rare. To lead two is unprecedented… that is, until Julius Erving, a.k.a. “Dr. J” — towered above, first, the ABA… then the NBA. The ABA was an amalgamation of historic risk-taking owners, managers, players, announcers, and colorful personalities. And so, this painting not only showcases an incredible athlete and human; it celebrates the entire American Basketball Association, which brought the world of basketball tri-colored balls and a dunking revolution.
My collector, friend and sometimes mentor, Robert Oringer and yours truly took our time to carefully curate this celebratory 48″X60″ collage painting.
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The first three paintings in my “Masters” series showcased Amen Corner — Golden Bell, White Dogwood and Azalea. This year? I decided to move back to one, Tea Olive, and tee up some Seurat stipples.
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Back in my NYC advertising days, I met a talented creative director by the name of David. We stayed in touch when I moved out West… and, in following my career, he was kind enough to introduce me to his good Jackson Hole-based friends — the Faupel’s.
Matt, Julie and yours truly struck-up a conversation… and decided to collaborate on a commission. We wanted something that embraced classic Americana, but with a contemporary touch. So, what better to create than a neon version of Grant Wood’s “American Gothic”?
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Guggenheim #14 in my 20-Year-Guggenheim painting series has arrived. This iteration was inspired by the incomparable Verner Panton. Specfically?
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Twenty Twenty Fun... a look at Borbay's 2021, from Coronavirus to Mother Ginger.

Inflation is upon us, and I’ve taken note. Last month, I shipped a painting — the timeline for delivery (and price) doubled! Nevertheless, around the holidays, I love to take care of my collectors… so, until November 15th — I’m offering free global shipping on existing work.
As for commissions? I am signing contracts through the end of the year, but will not be available to begin new works until February/March 2022.
Thank you for the love and support through, yet, another unusual year.