Inflation is upon us, and I’ve taken note. Last month, I shipped a painting — the timeline for delivery (and price) doubled! Nevertheless, around the holidays, I love to take care of my collectors… so, until November 15th — I’m offering free global shipping on existing work.
As for commissions? I am signing contracts through the end of the year, but will not be available to begin new works until February/March 2022.
Thank you for the love and support through, yet, another unusual year.
Year 13 of my 20-Year-Guggenheim Series called for something special… but I found myself rudderless. That is… until I spotted a brilliant photo on the Guggenheim Museum Twitter account… snapped by @NYCLOVESNYC — aka, Noel Y. Calingasan.
I’m sure you can see why I was so taken. As it happens, I reached out to Noel, and he graciously allowed me to use his photo as the source image for this painting.
And thanks to Noel, “Bright Lights, Big City Guggenheim” was born — named, with an obvious nod, to the brilliant Jay McInerney (a gent I spotted at Elaine’s a few times, back in the day).
Read more
2019… oh, what a year… Europe, Whistler, Vegas… portraits… a museum collection… New York press — let’s jump right in my very good friend.
[Friends, due to an undisclosed server issue, my incoming emails are not working at the moment. If you’d like to reach me, try: itsborbay@gmail.com — thank you!]
On July 2, 2009 — I became a full-time artist. My first sale? A 30″X30″ painting of The Guggenheim, created on 5th Avenue, in front of The Guggenheim. When the desire to paint Frank Lloyd Wright’s masterpiece struck again, it felt too opportunistic… unless. Unless it became something grandiose… a benchmark for my career.
So, I decided to paint The Guggenheim, each year, for twenty years. Back then, as a dude living in NYC with a steady girl and a scary new career — it felt impossible. Today, I find myself living in Idaho, married, with three kids and nine Gugg’s to go.
I had the great pleasure of speaking with Jeremiah Krage on his Practical Creative Podcast… we discussed art, art business, writing and how it all comes together.
You can give the feature a listen above… and be sure to check out Jeremiah’s site… it’s rich with excellent tips, advice and stories!
I’m honored and delighted to share the commissioned collaboration between yours truly, and artist extraordinaire — Brendan Ben Feeney. I met BBF on Twitter many years ago… in fact, he was kind enough to send Erin and I a photograph for our wedding back in 2011.
As time developed, so too did our friendship and admiration for one another. When Ben reached out with his idea, I couldn’t wait to begin our Twin Peaks collaboration.
Here is Ben’s amazing photograph, which guided the way. This work was featured in Tufts Magazine, along with an in-depth profile on BBF.
https://www.facebook.com/borbay/videos/1755412814542363/
Here is the entire process inside of one minute… enjoy, and thank you to my boys, The Ambershift, for the delightful sounds.
A decade of long distance running taught me to embrace The Loneliness of the Long-Distance Runner. Those miles and trials were bootcamp for my next act, as a self-represented artist. Like distance running, successful entrepreneurism isn’t as lonesome as one might think — a point beautifully articulated in Michael Sonnenfeldt’s new book — Think Bigger: And 39 Other Winning Strategies from Successful Entrepreneurs.
If you find yourself in Jackson, be sure to visit the Mormon Row Historic District — it’s spectacular! The John Moulton ranch features this incredible pink house with views you can’t buy (literally, it’s historically preserved). So, you see, I had to paint it.
https://www.facebook.com/borbay/videos/1377681745648807/
Here is the entire process with a voice over by yours truly. I channeled the Micromachine man. Remember that guy?
On December 3rd and 4th, from 10AM-5PM, four Teton Valley artists are throwing open their studio doors — and you’re invited! Tis’ the season to studio-hop in Victor, Idaho… and here are the delectable details.
In the summer of 2009, I painted the Guggenheim on a 30″X30″ canvas and practically sold it on the street. In 2010, I longed to paint the Gugg once more… but it felt wrong. Opportunistic.
Unless? I wondered… if I made a more serious commitment. And with that, I decided to paint a 30″X30″ Guggenheim, each summer, for 20 years. Today, I’m proud to share Guggenheim #8 — “The Neon Guggenheim”. Fittingly, this painting will debut at The National Arts Club in November, for the Accessible Art Fair.
MH the Verb sent me “Good Morning”, and, well, I couldn’t cut a single beat… so this video is long, strong and down to put the acrylic on. From MH, “‘Good Morning‘ perfectly exemplifies the collaborative style ArtHouse95 is all about. I produced the track featuring live bass from engineer, Dave Humes and layered drums. It’s pure Hip Hop… digging crates for the perfect sample, chopping the jazzy groove, and linking with two of Philadelphia’s most lyrical emcees – Drusef and Mic Stew. We wrote the song during a cloudy studio session a couple years ago while reflecting on our daily grind and ambition as artists. The homie, Kuf Knotz even had to make a guest appearance at the end. Overall, when the beat drops after the intro, you can feel the energy build… I just can’t wait for people to hear what comes next.
Enjoy… and do read on for an unusual painting recap.
New Paintings. Works-in-Progress. Insider Art Market Information.
Another newsletter? You got that right. I'll honor and respect your inbox, as if it were my own. I endeavor to share everything happening at Borbay Studios & Gallery. No daily updates. No weekly updates. Simply a message, every month or two... updates on life, creativity, and the journey that began on July 2, 2009. Let's be in touch, as the first leg of my quest reaches completion in 2026. From a studio in my 600-foot Upper East Side apartment living room, to a museum collection. Oh, but friend, that is just the beginning. The road is long, and I am looking for cool, sophisticated company to navigate each challenging turn.
You're here, and I love you for it.
Join me. Let's do this together.