It took me two years of being a full-time artist to understand how a single painting could span multiple years. Sure, some large-scale works just take time. Others, like in the case of the Metropolitan Museum of Art — I simply looked at it for 18 months and simply determined it was finished. After the jump, the full process as written in 2009.
My brother’s best friend of 20 years got married this weekend, so I decided to commemorate this special moment with a painting of The Bryant Park Grill. There, Chris and Ann exchanged vows — and I, amongst many other guests, enjoyed several adult beverages. Understatement.
At this point, I am just going to say it – I like the Guggenheim. Following my recent paintings of the Apple Store, Museum of Art and Design and First Avenue – Minneapolis, I decided to take my New York Post collage work to Frank Lloyd Wright‘s masterpiece.
Apple’s stock finally surpassed the mighty Microsoft, to the chagrin of Steve Ballmer no doubt. But wait, now there is a huge security flaw with the iPad… oh, and Steve Jobs thinks Flash is garbage. And Obama thinks the iPad is a major distraction – he told some recent college grads.
The year was 1925, the heart of the roaring twenties. New Yorker protagonist Eustace Tilley (below) had little on his mind other than butterflies and jazz ensembles. That was then. Today, poor old Eustace is out of sorts. The headlines illustrate doom and gloom. Strange new breeds of Three Term Changing Butterflies demand attention… he feels guilty. A rich man in a sea of social decline, afraid of terrorism, wondering who wants to kill him and his way of life.
Continuing on my new collage series, I decided to create a self portrait. With nothing but time – thanks broken leg – I decided to tackle a large-scale, three-by-four-foot format. Here it is, a portrait of the artist as a not so young man – comprised of the printed page, clippings from @TheNewYorkPost – which one day in the near future will no longer be in print, but rather illuminated on a digital screen. Read more
Sometimes there’s a man. Sometimes, that man spends 14 hours a day sitting on his couch, leg elevated, popping painkillers. That man is me, and this painting, is a 6″X18″ rendering of the Empire State Building. To date, I have done many Chrysler Building pictures, so it was high-time for an Empire.
For the past two days, I have been painting in the lounge of Midtown hot spot, BUtterfield8 NYC. Lately, I have been inspired by a great many artists – friends and famous alike. There is much room for exploration in color and mark-making, and this piece focuses on both.
After three intensive outings, and numerous stages – the Guggenheim painting is now complete. After the jump, you will see the entire process from first to last stroke. A special thank you goes out to the Guggenheim and the Gothamist for promoting this piece.
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