Painting Process | BUtterfield8 NYC Complete

Final Butterfield8

For the past two days, I have been painting in the lounge of Midtown hot spot, BUtterfield8 NYC. Lately, I have been inspired by a great many artists – friends and famous alike. There is much room for exploration in color and mark-making, and this piece focuses on both.

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Setting up shop, right away, I realized the low lighting would set the atmosphere, and challenge the creation of a palette.

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Beginning the piece, sans Sharpie… something new for me.

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Laying out the picture – at first, I wasn’t sure which composition to choose, so I took a photograph and held it up to the canvas for guidance.

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Nearly all laid out in Hooker’s Green.

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Splashing in some of the warmer tones… cherry wood walls, floors and paneling.

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Further adding in the rich, dark tones.

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I want this picture to feel like the space, not necessarily look like the space – thinking Van Gogh’s Night Cafe, and any one of Lautrec’s interiors; sans people.

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More lights, trying to understand how the ceiling factors in.

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A lovely, ugly green to fill in all of the whites – my moment of zen, a white free canvas.

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Exploring lighter tones, beginning to get lost in the fading light.

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Action shot courtesy of my lovely lady.

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Again, rocking the new hat. Also, discovered another adjustment factor on my easel – I love this thing.

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It’s time to call it a night, thank you for the hospitality BUtterfield8, appreciate the chat Dixie.

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Staring me down from the bathroom, a challenge, “can you finish me?” I think so canvas, I think so.

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Day two began with some deep red outlines, to help “parse the data” and get things in order.

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Beginning to make sense of the upper portion of the canvas with a variety of warm greys.

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Within the first hour, I realized an outside inspection of the piece was required to identify the true colors – here, a layer of deep burgundy helps ground the picture.

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A round of vibrant blues to capture the light reflections.

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Getting close, I cannot remember the last time that color purple found its way into my work.

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And the final. Without over-analyzing my own work, I will usurp a quote from a good friend of mine, David Pringle, on this picture: “You really captured a feeling of warmth and class there. I am fascinated in your ability to do that.”

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