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Guggenheim #14 in my 20-Year-Guggenheim painting series has arrived. This iteration was inspired by the incomparable Verner Panton. Specfically?
Read moreGuggenheim #14 in my 20-Year-Guggenheim painting series has arrived. This iteration was inspired by the incomparable Verner Panton. Specfically?
Read moreOnly 113 days remain in 2020. This 366 day lap around the sun is about ceding control. And so, while creating the 12th work in my 20-year Guggenheim Painting Series — I embraced our new reality, and went rogue. This was painted entirely with my left hand. First with a brush, then with a palette knife. There was no plan… like 2020? It simply happened.
Sometimes you eat the bear, and sometimes the bear, well, he eats you.
https://www.facebook.com/JasonBorbet/videos/10108198608120410
Being surrounded by the wondrous art created by my children, the importance of spontaneous creativity is palpable. Art, like life, is about routine, protocol, strategy… and sometimes, you must eschew the standard, and simply create.
On July 2, 2009 — I became a full-time artist. My first sale? A 30″X30″ painting of The Guggenheim, created on 5th Avenue, in front of The Guggenheim. When the desire to paint Frank Lloyd Wright’s masterpiece struck again, it felt too opportunistic… unless. Unless it became something grandiose… a benchmark for my career.
So, I decided to paint The Guggenheim, each year, for twenty years. Back then, as a dude living in NYC with a steady girl and a scary new career — it felt impossible. Today, I find myself living in Idaho, married, with three kids and nine Gugg’s to go.
https://www.facebook.com/borbay/videos/447765162478080/?__xts__[0]=68.ARDbNoYgkDNWlVqjCcvVj6SwzwzDYTKuRmxyIudSnhQqaQfxSr7eGf0OF-6JUIsfQXR_udbCCsaHEhCfqh2QJIYA6vvaGhMhyspdQ-ZOrYINaSnOu6nB8JsK4wsnZzVjmW1scin0wm4xccyfaWwcPUXQqN_imp7nLSGtAtY9jIqPeWCXjlquvnqbNWWk93RhPeYJyMudMcBEUo94yMJDQLYjzr9Ol5Rd7I0NvzA11np2frM1YMdNv_lIVqfF-OdYrEZ8Ey-LxEHCRMcKt5n6wIG8ddMG54QgzvBzd6deSlMeRhM4YwZotUnuIHIQPFQCTSdWUJXeoOaMRoiFdrTVzTJoG3h8DL2pIKs&__tn__=-R
For this year, I went clean… and shared the time lapse with some explicit beats, courtesy of my boy Louis Metric. Not only is this guy a microphone assassin — he is a total beer-league sniper… listen, follow, and watch him ascend.
“I’m gonna drop the Gugg in front of the Tetons, and live paint the eclipse at 9,095′ in Jackson Hole.” Wait, what?
Yes, the 9th painting in my 20-year-series traded in 5th avenue for a ski resort… and friend, it was glorious!
https://www.facebook.com/borbay/videos/1473658622717785/
Enjoy the process in one minute… featuring total darkness during the eclipse, with a soundtrack from The Rotaries.
Hello Dear Friend — Two weeks ago, we stuffed a 17-foot-truck, turned in the keys to our Manhattan apartment and hit the road. Our nomadic adventure has begun with a three-month stay in Minnetonka, Minnesota. On September 30th, we fly to Jackson Hole for another adventure — but here’s what’s happening right now…
Introducing “Mindscape Guggenheim”, aka, “Guggenheim #7”. In 2009, I completed and swiftly sold a 30″X30″ painting of Frank Lloyd Wright’s masterpiece. In 2010, I found myself longing to paint the Gugg once more, but two canvases of the same subject felt opportunistic — so I committed to painting a new 30″X30″ Guggenheim, each year, for the ensuing 19 years.
In 2009, I decided to paint The Guggenheim for twenty years, each summer, from the same corner, on the same size canvas, with the sole variable being my style. This is Guggenheim 5… the latest of my recent futurist works, joining the Seattle Space Needle, Central Park South, Sutton Place, Welcome to Las Vegas Sign and The Bellagio.
Back in 2009, my first professional painting was of The Guggenheim. This became an important landmark for my career, so I decided to try it again in 2010. Finally, I decided to make one each year for 20 years. This black-and-white canvas marks year #4 of 20.
The lure of The Guggenheim is simply too great. No, this isn’t Guggenheim #4… my 20 years of Guggenheim’s are painted in the same location on 89th and 5th Avenue, of the opposite view, on 30″X30″ canvases… This black and white painting was made to support Frank’s Doors — treat it like Chicago politics, vote early and often.
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