I may live in Idaho, but New York City still courses through my veins. So, you can imagine my immense pleasure when I was commissioned to paint Zabar’s — an Upper West Side icon. I can still taste the coffee and black-and-white’s in my mind (and thanks to Goldbelly, literally)…
Whenever I return to Manhattan, I find myself wandering the streets… memories, flowing like wine. In November, I met good friend, Tony Black, for a pint of the dark stuff at Old Town. Before leaving, I told the owner, Fitz, “I’m going to paint your sign.”
They say, “do what you say you’re going to do,” so I did… and here was my source image.
My legally issued artistic license allows for interpretation. If you’d like to see the entire process in one minute in time lapse, narrated by yours truly… view this video… more of a photo and commentary person? Read on dear friend.
During Broadway Bares Las Vegas, Josh Strickland won my painting created live at Planet Hollywood. This year, however, before host Scott Nevins brought down the gavel, Director and recent “Mr. Abbott” Award Winner Jerry Mitchell, matched Strickland’s bid, asking if I would recreate the painting for him.
The day after Christmas, we packed our bags and flew to Bangkok for our belated honeymoon. It was a luscious four week excursion. I did things unprecedented in my adult life… I read seven books without interruption. Sat on the beach. Worked very little.
Our Broadway Bares adventure began when Ari Lankin painted an impromptu tatoo on the arm of a Kriss Angel dancer in front of the Welcome to Las Vegas Sign. They suggested we paint live at Broadway Bares Las Vegas, which we did, at Planet Hollywood. A few weeks back, Ari received a call requesting the live-painting action for the fittingly named “Broadway Bares XXI: Masterpiece” at the Roseland Ballroom on Father’s Day (the Vegas installment was on Easter Sunday). And just like that, it was on.
In mid-February, I was commissioned by the CEO and Founder of BEVFORCE to recreate the storied TriBeCa Grand Hotel on a 48″X60″ canvas. Rapidly growing, the men and women of BEVFORCE required a larger, loftier space and with that came bare walls. After some discussion, we decided on a large canvas versus a mural… so the work could travel as they continue to grow.
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