Exactly two years ago, I declared my independence and became a full-time “Professional Location Artist” — my longest career to-date. Since then, I’ve had the honor of being named Time Out New York’s Most Creative New Yorker 2009, secured and delivered over 50 commissions, painted 162 canvases, and created on-location in Manhattan, Milan, Chicago, Minnesota, Las Vegas and Jamaica.
A good idea is a good idea, so when George Malley suggested I paint the Old Bay Seasoning can, I was all about it. It took one copy of the Baltimore Sun sent from Maryland and almost a year, but the painting is now complete. For these tastebuds, Old Bay is like candy, enhancing the flavor of anything it touches.
After raising two children over 30 years, the Hoffman family has placed their house on the market. So, being commissioned to paint their storied home — theFlag House in Larchmont, New York was a special project. To truly comprehend the warm memories of this special place, I had the pleasure of spending an evening at the house, grilling, swimming and chatting with the family.
As seen in BlackBook and Max’s Kansas City, Atelier Klimat‘s opening reception began at 7PM and carried on late into a stormy Manhattan evening that saw lightening strike the Empire State Building thrice. A terribly good-looking crowd braved said storm to soak up the art and atmosphere of Klimat, a premier East Village establishment.
Sometimes recreating a place, experience and moment in time requires the marriage of multiple images. Since I was unable to travel to Romania to paint University Square in person, we had to get creative.
At the tail end of January, Ken Marquis hit me up about the landmark global artist reclamation project. In his words, “The project will involve one thousand and forty-one (1,041) artists worldwide. To date there are over nine hundred artists involved across 51 countries. This artist initiative is by far the largest undertaking of its kind.”
Back in November I spent a day at Bay Shore High School hosting a location drawing and collage workshop. Each of the two sessions included a brief presentation, an on-location drawing, a critique and then a collage technique overview. After the jump, a few shots from a fine afternoon in academia. Read more
A bet is a bet. On the day of the Olympic Ice Hockey final, I challenged the Stanley Cup Keeper to a wager: “if the USA wins, you have to arrange for me to do a painting of the (Stanley) cup in-person… if I lose, I will do a painting of the maple leaf and post it on my profile for a month.”
As a lifelong Mets fan, I had a tough time with the demolition of Shea Stadium. Sure, it was ugly, had poor seating, limited vendors and was essentially an amphitheatre for airplanes — but it had winning memories.
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