Tag: Collage

Coffeee Table Mood Board, Jay Z Portrait Headlines and Source Image

Borbay JZ Moodboard and Collage Materials

Working your way through portrait defining headlines can be a daunting task.

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Painting Process | The Collapse of the Metrodome

Collapse of the Metrodome Borbay Painting

It’s gotten to the point where the Minnesotans in my life, insist I bring snow to Minneapolis. Now, if you know anything about the climate in Minnesota, this is quite the powerful statement. Well, true to form, we arrived Friday for the Arbit wedding, and no sooner did we put our bags down, did the snow begin to fall.

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Painting Process | The Depot Minneapolis

The Depot Minneapolis by Borbay

Every now and again, you have to let the beast out of the cage to roam free through the wilderness. As an artist, that beast is experimentation. With this painting of The Depot, in Minneapolis, I decided to merge two collage techniques I have been working on: Photo Transfer, and New York Post Headline collage-painting.

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Painting Process | Hakker Short Film Festival Painting

Hakker Short Film Festival Painting by Borbay

Two years ago, Howard Krulewitz launched the Hakker Short Film Festival. During the first edition, I was a bit actor in Taunt’s Hard on Ice, the eventual festival winner. This year, I teamed up with Greg McMahon and Nick Mahoney to take home the title, with the aptly titled: New York Post. The Hakker Short Film Festival donates half its proceeds to the winning film maker, and the other half to an excellent charity — The Jack Krulewitz Ice Cream in My Mustache fund; with all proceeds going directly to cancer research.

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Painting Process | First Avenue Minneapolis Minnesota

First Avenue Minneapolis Borbay

When Erin booked a pair of tickets for the Minny-Apple, I decided to spend a few days capturing a marquee location. The destination? First Avenue, Minneapolis, Minnesota. Day time. On-location.

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Painting Process | My America, The United States of Today

Borbay My America Final

Standing before a blank 3’X5′ wall of canvas, a rush of memories and emotions crept up from the far reaches of my brain. To date, I have driven across the country five times, lived on both coasts and spent a summer pounding massive G&T’s at 8000 feet. A pebble cracked my windshield in Texas, five miles from my destination after driving 2000 consequence free miles. In Oklahoma, I went to dinner at the only diner in the town of Arbuckle, where the marquee read, “Happy Birthday Edna Arbuckle.” My gauge hit 130MPH in Montana.

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Painting Process | South Street Seaport Wender Commission Completed

Wender South Street Painting By Borbay

When Dave, Randi and I began discussing a commissioned piece, I asked them to think of meaningful places in Manhattan. After a few back and forth emails, they decided on the place they were married – the South Street Seaport. To get things rolling, I spent a sunny afternoon taking shots in the area from about twenty different angles. From there, I narrowed-down, cropped and emailed six choices to the Wenders.

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Painting Process | Central Park Boathouse Gurtman Commission Completed

Boathouse Gurtman Borbay Final

And the Central Park Boathouse commission is now complete. To recap: In early January, Stephanie, Scott and Ryan (their son) Gurtman came by my studio for an up-close-and-personal view of my work. With a vision of a painting in mind, we discussed a commissioned piece and the Gurtman’s decided to give the image some thought. The initial concept of painting J.G. Melon shifted to the Central Park Boathouse, they place they were married.

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Painting Process Nipple Slip Soup Spill New York Post

Borbay Collage Painting

After the incredible Urbania ride, words cannot describe how much I enjoyed getting back to painting. I began painting this prior to my collage painting portrait, but it sat idle, unfinished. With time, it has undergone an interesting journey – there was some darkness and this 18″X24″ canvas was the recipient.

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Painting Process | Eustace Tilley, The New Yorker Icon

New Yorker Eustace Borbay

The year was 1925, the heart of the roaring twenties. New Yorker protagonist Eustace Tilley (below) had little on his mind other than butterflies and jazz ensembles. That was then. Today, poor old Eustace is out of sorts. The headlines illustrate doom and gloom. Strange new breeds of Three Term Changing Butterflies demand attention… he feels guilty. A rich man in a sea of social decline, afraid of terrorism, wondering who wants to kill him and his way of life.

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