A bet is a bet. On the day of the Olympic Ice Hockey final, I challenged the Stanley Cup Keeper to a wager: “if the USA wins, you have to arrange for me to do a painting of the (Stanley) cup in-person… if I lose, I will do a painting of the maple leaf and post it on my profile for a month.”
The second portrait in my series following Jay-Z will be Kanye. To prepare, I hung out with some H.A.M.’s last night. The location? Jeremy Penn‘s studio. The event? Four Loko, hip-hop beats and three artists slinging paint. After the jump, a quasi-Kanye study and some atelier shots.
As a lifelong Mets fan, I had a tough time with the demolition of Shea Stadium. Sure, it was ugly, had poor seating, limited vendors and was essentially an amphitheatre for airplanes — but it had winning memories.
It took me two years of being a full-time artist to understand how a single painting could span multiple years. Sure, some large-scale works just take time. Others, like in the case of the Metropolitan Museum of Art — I simply looked at it for 18 months and simply determined it was finished. After the jump, the full process as written in 2009.
Shawn Corey Carter at birth, Jay-Z upon arrival. A man who crafts, packages and delivers words by units of millions eventually becomes the message.
2010 kicked-off with a new title — Time Out New York’s Most Creative New Yorker… and a broken fibula.
It’s gotten to the point where the Minnesotans in my life, insist I bring snow to Minneapolis. Now, if you know anything about the climate in Minnesota, this is quite the powerful statement. Well, true to form, we arrived Friday for the Arbit wedding, and no sooner did we put our bags down, did the snow begin to fall.
Every now and again, you have to let the beast out of the cage to roam free through the wilderness. As an artist, that beast is experimentation. With this painting of The Depot, in Minneapolis, I decided to merge two collage techniques I have been working on: Photo Transfer, and New York Post Headline collage-painting.
